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We were told that it was the first of three related films, the two successors to be named 'Paradise: Faith' Fuck my wife in Bakersfield releasedand 'Paradise: Hope' to be released in Quote from festival announcement: "On Kenya's beaches they are known as 'sugar mamas': European women who seek out African boys selling love to earn a living. Teresa, a year-old Austrian woman, travels to this vacation paradise. She admitted upfront that she had not read the script prior to shooting though she did after wards. She is a professional actor, but the African boys are all amateurs. What struck me the most when watching this film, is that the "boys" never ask money for their "services" in a direct way.

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Quote from festival announcement: "On Kenya's beaches they are known as 'sugar mamas': European women who seek out African boys selling love to earn a living.

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Agree and Continue. The film clearly demonstrates to us how it works. What struck me the most when watching this film, is that paradixe "boys" never ask money for their "services" in a direct way. We enter as she does, strangers, fascinated. She admitted upfront that she had not read the script prior to shooting though she did after wards.

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Purgatory: logical light chaos-rampant 1 Latino sex partner i Northshore horny We enter here a paradisaical world with this woman, a middle-aged Austrian who's gone to Kenya on vacation. Yet, while the story progresses, we nevertheless observe a certain language barrier, several times causing misunderstandings about mutual intentions.

Again this is as much cinematic translation of the woman's pov as it is inescapable worldview for the filmmaker, the same boxed worldview that Herzog runs from by journeying to the edges to throw himself on the manifold strangeness of things, letting his eye roam, staging boats tugged over hills so it can become real.

There is no transition to this new world, no waiting on airports, no planning for the journey, we are immediately swept as if by the urge to oldwr there. She talked with several other women there with ample experience in the matter. See details.

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She is a professional actor, but the African boys are all amateurs. Out in the streets there is a more palpable tension however; all about baring yourself to be seen and the quest for meaning. It means that he can't let go, and not allowing himself to yet know, coast on the tension of an encounter that may be false, that most probably is false, yet like movies and love work in life, that we can throw ourselves in it as if it is real and in doing so imbue it with truth, weave it from air.

Alas the filmmaker is Austrian and this means that we see in the same stark light they bring to everything they do: from logic to Wife ironton fucks to music.

What does this mean, a stark light? We see that happen on Terese's first trip outside the hotel, where her "boy" takes her to lkoking sister not really, as we see later onand subsequently a school teacher. He resorts to more obvious stuff, merely chronicling the lack: disillusionment, loneliness and how that gives rise to dehumanizing spectacle as in the scene where the woman is offered in her hotel room a witless African to tease and fondle.

paraddise Teresa, a year-old Austrian woman, travels to this vacation paradise. I like the subject, the lush Africa, the sexual frankness, the fact that sex and meaning are sublimated in a viewing space between people.

Out in the streets there is a more palpable tension however; all about baring yourself to be seen and the quest for meaning. It is not exploitation per se, when both sides look happy with the arrangement.

What does this mean, a stark light? Quote from festival announcement: "On Kenya's beaches they are known as 'sugar mamas': European women who seek out African boys selling love to earn a living. patadise

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This scene marks the duality of their respective roles, not parasitic but rather symbiotic. The question that looms is is she there for the encounter and surprise or merely looking for images to bring home to a dull life? It means that he can't let go, and not allowing himself to yet know, coast on the tension of an encounter that may be false, Hi conversation drinks fun tonight most probably is false, yet like movies and love work in life, that we can throw ourselves in it as if it is real and in doing so imbue it with truth, weave it from air.

She talked with several other women there with ample experience in the matter.

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She is a professional actor, but the African boys are all amateurs. Once there we see as she does, stylized images, arranged symmetries.

This information oldrr shared with social media, sponsorship, analytics, and other vendors or service providers. He resorts to more obvious stuff, merely chronicling the lack: disillusionment, loneliness and how that gives rise to dehumanizing spectacle as in the scene where the woman is offered in her hotel room a witless African to tease and fondle. So I lament this because his failure is the same as his heroine's failure to find fulfillment.

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Alas the filmmaker is Austrian and this means that we see in the same stark light they bring to everything they do: from logic to politics to music. Showing all this in a natural way, without too much embarrassment for us viewers, is an achievement in itself.

On her second trip Teresa seems very aware of all this, recognizing it as standard operating procedure. Once there we see as she does, stylized images, arranged symmetries. She starts playing beuatiful without feeling awkward about it, and gradually appears to have found her way in this "game". More importantly: are we here on cinematic vacation or to come to an understanding?